About 2 years ago, I started to see a growing debate about 'feral' NSFW art, and it was mostly more calm. The first time was when FurryLife.online started to ban most feral furry pornography, which has sparked a lot of debate online here (in the comment section), Twitter, and some other online sites. In the discussions, there were a lot of folks defending it with a fair amount of logic, mainly explaining that human levels of intelligence creates a difference. There were also folks reasoning that many of such ferals being attractive were exactly the same reasoning why furry characters such as Nick Wilde would be considered attractive by many other furries, by the fact that they have animal parts.
After such drama emerged, it felt as if it was dying down, thankfully. However recently on about June 19th, a popular furry known as KaimTime has been publicly “exposed” after some furries found out that they had a “feral” focused NSFW Twitter account known as Feral Fawcet. As a result, angry furries accused the person of being into “zoophilia”. as well as many Twitter folks ending up doing the whole “if you support this, block me” style posts. There was even one popular YouTuber, Crying Blossom, who made a call-out video against KaimTime mainly for KaimTime having the separate Twitter feed with this art on it, and their response video defending their right to have this separate page and fantasy. All of this, likely because of a furry artist partly having an interest in having fantasies with anthropomorphic animals on all fours.
Working in the Archives: Researching Fred Patten, furries, and counter-culture media at UC RiversidePosted by Brandyjlewis on Sun 20 Feb 2022 - 10:11
Located at the University of California's Riverside campus is the Eaton Collection of Science Fiction & Fantasy, a world-renowned archive of books, film, fanzines, and ephemera documenting and evoking the history of sci-fi and fantasy fan culture. Originally formed in 1969, when collector and physician Dr. J. Lloyd Eaton donated his library consisting of "about 7,500 hardback editions of science fiction, fantasy and horror from the Nineteenth to the mid-Twentieth centuries", the Eaton is considered one-of-the-world's largest collections of papers and documents entangled with its subjects. While much of the collection remains to be processed - COVID-19 notably limiting work since early 2020 - both students and staff see the archive as a hidden treasure, with the collection holding such things as first-editions of Dracula, Frankenstein, and Fahrenheit 451.
Picking up from where the 2020 documentary The Fandom left off, Ash "Coyote" Kreis' new 44-minute film, Hero: A Furry Story takes a deeper look into the fandom's disability community, particularly its less-looked-at subset with cancer and chronic illness, where people have found that fursuiting and its networks can create a source of happiness during a time of pain and illness. Hero is the film's star, a canine-identifying fan, diagnosed with cancer at age 22, who receives a new fursuit from the talent at Waggery Costumes.
As viewers are slowly introduced to all of the different people it takes to make a fursuit, Hero's story demonstrates what furry fans have already come to know: affirming that people in the fandom can be as family, loved ones, and mentors. Pulling itself away from the criticism that Kreis received after The Fandom, this new film's attention to disability, illness, and networked connections provides another interesting gateway into something that will surely be enjoyed by fans and non-fans alike.