The results of the eighth once in a decade Sight and Sound "Greatest Films of All Time" poll were released last year, which kind of puts my list in its place. The number one movie there was Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles; haven't seen that one yet. Catchy title, though! Hey, my top pick for 2017 did make top 100 (in a five way tie for last)! Well, let's see how influential my picks for this year are in 10 years for the next poll.

So, this is a year end top ten list of my picks for favorite movies of the year. Pretty simple premise, and I've written what counts and what doesn't before, and this is the internet, so I can just link to older lists if you want the nitty gritty details. I don't need to rehash them. Though Flayrah is a furry site, this is not a furry list. However, I will pick out my favorite furry movie of the year, which was Turning Red this year, as well as a Cutest Vixen Award, just for fun. This year's prestigious CVA goes to Diane Foxington, a.k.a. the Crimson Paw, in The Bad Guys. It was an overall pretty good year for movies, so much that I actually feel like giving away a few honorable mentions, listed here in no particular order other than alphabetical; Beast, Black Panther: Wakanda Forever, Everything Everywhere All at Once, Three Thousand Years of Longing and The Woman King. Also, shoutout to Prey, which was streaming exclusive, and which I didn't consider for the list, but was worth a shoutout anyway.

Well, let's get to the list proper. The film's title and posters link to IMDB or a Flayrah review for more information than the short blurb here could give you. Enjoy!

Let's start at the beginning.

Before Puss in Boots: The Last Wish, even. How about DreamWorks Animation's new studio bumper? It's a bit ostentatious, even a bit overly pleased with itself. Maybe goes on a little long. But, then again, what studio bumper doesn't, nowadays? But, being a celebration of DreamWorks past triumphs, it's interesting to note what franchises were chosen to be spotlighted.

Right out the gate, the Bad Guys are getting quite a vote of confidence, despite being the new guys with one movie under their belts. So I think it's safe to say we're getting a sequel. Also for furries, the Kung Fu Panda series is featured, and we already know that's got a fourth movie coming. The How To Train Your Dragon series is also represented by Toothless, despite the fact that the last movie came to a very decisive story end. It's one of the more acclaimed franchises of DreamWorks, so it has to show up, and even if there are no more movies, smaller screen spinoffs are still happening. There are also appearances by the Trolls and Boss Baby franchises, but they aren't furry, so who cares?

There are some notable absences, however. Despite featuring four movies, the Madagascar franchise is ignored. Spirit, you know, the one with the horse? That somehow managed two movies, but is apparently not an ongoing concern. And obviously, the Shrek franchise is prominently featured, but the star of the movie we're about to actually start reviewing is not. Maybe he'll show up in the bumper for movies he's not the star of?

More from the folks at Cartoon Brew: Dreamworks Animation have announced three new CGI animated series they will be producing as part of their mega-distribution-deal with Netflix — and guess what? All three of them are anthropomorphic, in one way or another. King Julian of course follows the adventures of the crazy lemur from the Madagascar movies and the Penguins of Madagascar TV series; Puss in Boots, who needs no introduction; and Veggie Tales in the House, a new iteration of the well-known faith-based animated TV show. All of this follows the 2D animated series Turbo F.A.S.T., which Dreamworks premiered on Netflix last December. The three new series will be available before the end of 2014.

image c. 2014 Dreamworks Animation

The Cartoon Brew website announces that the University of Southern California’s School of Cinematic Arts Gallery is presenting an exhibit, “DreamWorlds: Behind the Scenes, Production Art from DreamWorks Animation” from July 30 through September 7.

DreamWorks’ works include more than just anthropomorphic animals, of course (Prince of Egypt, anyone?), but there has been SO MUCH anthropomorphization in its 24 features!

The exhibition includes more than one hundred digital prints and approximately thirty traditional paintings and drawings on paper; two miniature sets; three character maquettes; two set pieces – an 8? high Kung Fu Panda “Po” statue and the new Rise of the Guardians standee; and three media stations displaying animation tests, stereo footage, and the Rise of the Guardians trailer. There will also be a contemporary animation work station on display, with demonstrations given by current Hench-DADA students.

I was preparing this announcement, but GreenReaper has given away part of it on Newsbytes.

Fred Patten, who has been writing Furry book reviews since 1962, and who edited the first anthology of anthropomorphic short fiction, Best in Show, in 2003, has edited two new anthologies of anthropomorphic s-f & fantasy that will both premiere in June 2012.

1. Already Among Us: An Anthropomorphic Anthology, will be published by Legion Publishing of Birmingham, AL on June 4. It will be available in a $18.95 hardcover and $9.99 trade paperback (x + 390 pages) [now $13.49], and $8.99 Kindle version, with a wraparound cover by Roz Gibson.
2. The Ursa Major Awards Anthology: A Tenth Anniversary Celebration, will be published by FurPlanet Productions of Dallas, TX. It will go on sale at Anthrocon 2012 on June 14, as a $19.95 trade paperback, x + 380 pages, with a wraparound cover by Blotch.

The nominees for the Ursa Majors are here, and if you are reading this, I expect you to have already voted for at least the category this column is about. You really already should have seen at least four of the five movie nominees, as they are readily available from wherever you happen to rent movies, and most rentals nowadays cost fewer than two bucks, so seriously, what’s your excuse?

If you haven’t watched them yet, go. Watch them. Now. This article will be waiting for you when you return.

At the 39th Annual Annie Awards, movies featuring anthropomorphic animal characters took many top awards.

Rango was the big winner, with four awards, including Best Animated Feature. The movie with the most nominations, Kung Fu Panda 2, only won two, but one of them was Best Director for first time theatrical director Jennifer Yuh Nelson.

Other such movies with wins include Rise of the Planet of the Apes, winning Character Animation (in a Live Action Feature), Winnie the Pooh, which won Storyboarding, and Rio, for Character Animation (in an Animated Feature).

We are down to the nitty gritty; the Annies announced their nominees last month, nominations for the Ursa Majors have opened, and yesterday morning the nominees for the Academy Awards were announced.

2011 has come and gone. Before we all get excited about 2012, now is a good time to take one last look at the best the past year had to offer. In movies, anyway.

The Annies announced their nominees earlier this month, so for once that award will be first up in the rundown. The last month has also been full to the brim with critic’s awards, which can influence the Academy.

It will be a five-nominee year for the Best Animated Feature Oscar. 18 films were sent in for a chance at nomination for the award, and all were accepted. The motion-capture debate seems to have been for naught; all three films under question were accepted, though only one is a contender.

Last year, DreamWorks Animation put out three movies: the prestige picture, the fun picture, and the Shrek sequel. On one hand, MegaMind did not have the emotional resonance of How To Train Your Dragon. On the other hand, HTTYD did not feature Will Ferrell emerging from his own head screaming “Presentation!” while Guns’N’Roses “Welcome to the Jungle” blared on the soundtrack.

I’m sensing the beginning of a pattern this year. Kung Fu Panda 2 seemed to be the prestige picture for the year. Puss in Boots is the fun picture, with the Shrek sequel squished into it.

Do not go into this movie expecting any kind of emotional resonance or artistic enlightenment. This is not that kind of movie, and was never intended to be. Do go into this movie expecting to be entertained. As pure entertainment, Puss in Boots is worth watching.

This is an opinion column, but this month I’m using that tag a bit more than usual, as I discuss the Academy’s bias against animated movies.

I’ll then tell you what’s wrong, not with the Ursa Majors, but with me covering them.

Lastly, I might actually have something to say about the Annies. Maybe.